Ferrari can do many things other car companies cannot, including building a machine that links past with present and that tries, however successfully, to be the fastest car to the market and back. A retractable hardtop. A front-engine V8. A dual-clutch 7-speed transmission, for those seamless gear changes. And as a result of this transmission it presents at least one last: The last Ferrari to offer a manual gearbox. It's a natural classic, all good looks and serious performance, and it's got a foot in the present and the past.
The California is a "2+," a two-door with what we'll all agree to call two ass-holders in what we'll all agree to call the "backseat." Which puts it in the class of "grand tourer," a fine distinction for a car that really does look like it just wants to get on the road and stay there. Oh, and you're of course invited to come along.
Its link to the past is right there in the name -- the California is so named for the 250 GTs that awed a 20th-century world in the late '50s. It ended its life by sailing out a window, a scene which horrified the Ferrari cognoscenti in audiences across America -- who may still have unnecessary nightmares, as the car in that film was a replica. There were fewer than a hundred 250GTs made, and as a result they were valuable cars.
So the new series, which could just as easily have been called the "Utah" or the "Connecticut," adopts the name of that 50-year-old classic and lays in all the new gadgetry of this, the modern era. Performance is turn-of-the-century, too: zero to 60 in a shade under four seconds, a top speed of 193 mph, and due to long hours in a wind tunnel, the most aerodynamic car Ferrari's ever built.
Pretty but not exotic, and with a rear end that offends some, it's clear that the new California has a mellow side that its cousins do not. And this is partly in the design -- a car that can do many things well, and most of them better than almost every other car on the road. So while it's a bit peculiar for a Ferrari, it's still a breathtaking machine when compared to, gosh, anything with a backseat. Just make sure you call shotgun at least once. And while the front end brings to mind, say, a dignified Aston-Martin, the rear gets a lot of grief for being a bit too big.
But Ferrari was serious when it decided to build a car that could perform but could also fit a small child (say, the child of your mistress) in the back seat. A little something for everyone, it seems. Everyone who has $230,000 and a wish to take your best normal-sized friend and your best small friends for an exhilarating trip.
The California is a "2+," a two-door with what we'll all agree to call two ass-holders in what we'll all agree to call the "backseat." Which puts it in the class of "grand tourer," a fine distinction for a car that really does look like it just wants to get on the road and stay there. Oh, and you're of course invited to come along.
Its link to the past is right there in the name -- the California is so named for the 250 GTs that awed a 20th-century world in the late '50s. It ended its life by sailing out a window, a scene which horrified the Ferrari cognoscenti in audiences across America -- who may still have unnecessary nightmares, as the car in that film was a replica. There were fewer than a hundred 250GTs made, and as a result they were valuable cars.
So the new series, which could just as easily have been called the "Utah" or the "Connecticut," adopts the name of that 50-year-old classic and lays in all the new gadgetry of this, the modern era. Performance is turn-of-the-century, too: zero to 60 in a shade under four seconds, a top speed of 193 mph, and due to long hours in a wind tunnel, the most aerodynamic car Ferrari's ever built.
Pretty but not exotic, and with a rear end that offends some, it's clear that the new California has a mellow side that its cousins do not. And this is partly in the design -- a car that can do many things well, and most of them better than almost every other car on the road. So while it's a bit peculiar for a Ferrari, it's still a breathtaking machine when compared to, gosh, anything with a backseat. Just make sure you call shotgun at least once. And while the front end brings to mind, say, a dignified Aston-Martin, the rear gets a lot of grief for being a bit too big.
But Ferrari was serious when it decided to build a car that could perform but could also fit a small child (say, the child of your mistress) in the back seat. A little something for everyone, it seems. Everyone who has $230,000 and a wish to take your best normal-sized friend and your best small friends for an exhilarating trip.
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